My practice challenges the conventions of photographic representation and its historical traditions, compelling the viewer to reconsider their social, political and economic environment, as well as their relationship with visual representation. My experiences as a subject of western society and, more specifically, of British culture inform the conceptual framework that underpin my work. Processing the visible environment through different media, such as video, photography and installations that often include visual archival materials, I imbue my work with meanings that bring to fruition my experiences of disenchantment with the postindustrial sociocultural environment.